[ 本帖最后由 mangzi 于 2010-6-22 22:49 编辑 ]

全是景啊，莽子还发点自己的照片嘛
[ 本帖最后由 棉花糖512 于 2010-6-22 22:54 编辑 ]

《最后的审判》是**********盛期***************于*****－*****为*****绘制的一幅巨型祭坛画。
《最后的审判》取材于《*****·*****》故事，描绘*****来到时，*****再来，并亲自审判世间善恶。画中基督被圣徒环绕，挥手之际，最后审判开始，一切人的善恶将被裁定，灵魂按其命运或上升或下降，善者上*****，恶者下*****。这种两极的世界，在壁画中通过妥善的分割，形成一个个故事，整体显现出一种螺旋式的动感.
《最后的审判》尺度巨大，占满了西斯廷礼拜堂祭台后方的整面墙壁，描绘有400多个人物。他们是以现实和历史中的人物为*****儿的，因此这与其说是**********中的末日审判，不如说是画家依据的*****对现实世界中人物的评判。
画面大致可分为四个阶层，最上层是天国的天使，画面中央是*****，下层是受裁决的人群，最底层是地狱。 画面*****是这样安排的：上方与天顶画相接处两个半圆形画面是一些无翼天使，他们正簇拥著基督受难时的十字架等物，左面一组抱的是十字架，右面一组抱的是耻辱柱。耶稣下方七个吹号角的天使正在唤醒死者宣示审判开始。画面正中央云端闪电中站着身躯高大、神态威严的救世主基督，他正举起有力的右臂，表示审判开始。*****和*****环绕在旁边，圣母玛丽亚畏缩地抓紧头巾和衣衫，屈身在儿子的右肋之下。左边是基督的门徒和*****的圣者们；左手背小梯子的，通常被认为是*****，后面围红头巾的女人，是*****；还有一个体格壮实的老人，被认为是圣*****。右下方云端是使徒圣*****（Bartholomew），手中拿着一张殉道时所被割下之人皮，这张皮画的正是米开朗基罗自己，这是米开朗基罗的签名或理解为对于信仰的态度。画面下部是善恶两部分人正受到重生的耶稣的裁决。画面左侧描绘的人物将升往天国的人群，右侧则将打入地狱的亡魂。右下角水面的船上向亡魂挥舞船桨的是地狱的引渡人，冥神“夏龙”，坐上船的亡魂将渡过阿克隆河打入各层地狱。米开朗基罗将他所厌恶的教宗儒略二世绘入了这幅作品，为了表达不满他将教宗画入下方地狱受蛇怪所撕咬。
米开朗基罗在描绘地狱风景时曾受到*****《*****》地狱篇的启发。整个构图在当时是一种全新的尝试，形成了一个律动的圆形的以基督为中心的统一体。这样，使众多的人物和复杂的情节显得统一、和谐。
米开朗基罗在揭幕这幅壁画时，史无前例地把人物无论善恶都描绘成有醒目生殖器的*****，Carafa枢机对此加以强烈反对，认为在基督教最重要的教堂内，不能容忍如此的淫秽、“*****”和不道德。据说当 Cesena 向教宗抱怨时，教宗回答说他的裁判权没有延伸到地狱，因此这画像得以保留。但是米开朗基罗去世后不久，*****就命画家*****给这些裸体人物添画了遮羞布条。这位画家因此得了个“穿短裤的人”的绰号。

The Last Judgment is a ***** by ***** on the ***** wall of the ***** in *****. It took four years to complete. ***** began working on it three decades after finishing the *****.The work is massive and spans the entire wall behind the altar of the Sistine Chapel. It was executed from 1537 to 1541. The Last Judgment is a depiction of the ***** and the *****. The souls of humans rise and descend to their fates, as judged by Christ surrounded by his *****.The Last Judgment was an object of a heavy dispute between ***** and Michelangelo: the artist was accused of immorality and intolerable obscenity, having depicted naked figures, with genitals in evidence, inside the most important ***** of *****, so a ***** campaign (known as the "Fig-Leaf Campaign") was organized by Carafa and Monsignor Sernini (*****'s ambassador) to remove the frescoes. When the Pope's own Master of Ceremonies, *****, said "it was mostly disgraceful that in so sacred a place there should have been depicted all those nude figures, exposing themselves so shamefully," and that it was no work for a papal chapel but rather "for the public baths and taverns," Michelangelo worked Cesena's face into the scene as *****, judge of the underworld (far bottom-right corner of the painting) with ***** {i.e.foolishness} while his nudity is covered by a coiled snake. It is said that when Cesena complained to the Pope, the pontiff joked that his jurisdiction did not extend to hell, so the portrait would have to remain.*****, whom history remembers by the derogatory nickname "Il Braghettone" ("the breeches-painter"). In the painting, Michelangelo does a self portrait depicting himself as ***** after he had been flayed (skinned alive). This is reflective of the feelings of contempt Michelangelo had for being commissioned to paint "The Last Judgement".***** The figure of St. Bartholomew depicts the satirist and erotic writer ***** who had tried to extort a valuable drawing from Michelangelo. He holds the painter's flayed skin as a symbol of attempted victimization.

会有的，会有的。

轻松一下，看看博物馆窗外。。。
[ 本帖最后由 mangzi 于 2010-6-22 23:53 编辑 ]

下楼。。准备走人。。。
[ 本帖最后由 mangzi 于 2010-6-23 00:03 编辑 ]

中饭，意式排骨。。。

我也午饭去了，晚上继续....

.........